Liszt
李斯特
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Life
Europe's first modern star performer. 'Lisztomania' was Heine's word for what happened to the women in his audiences. Playing solo recitals from memory, and turning the piano sideways so the audience could see the hands — both standard now, and both his invention. He took minor orders in 1865 and was known thereafter as the Abbé Liszt.
As a composer he has been chronically underrated. He invented the symphonic poem, in which one theme is transformed across an entire work; Wagner's leitmotif technique comes directly out of it. The late piano miniatures — Nuages gris, Unstern — leave tonality almost suspended, thirty years before Debussy. He was also one of the most generous teachers in history and never charged a fee.
Works
- Consolations, S. 17210.17
- Réminiscences de Don JuanS. 41810.24
- Transcendental Étude No. 12 "Chasse-neige"11.15
- Consolation No. 3 in D-flat major, S. 172 No. 311.15
- Hungarian Rhapsody No. 6 in D-flat major, S. 244 No. 611.15
- Ständchen in D minor, S. 560 No. 7 (after Schubert's Schwanengesang)11.15
- Legend, S. 175, No. 212.05
- Mephisto Waltz No. 1, S. 51412.19
- Piano Trio "Trista" from "La Vallée d'Obermann", S. 72304.20
- Après une lecture de Dante: Fantasia quasi sonata, from Années de pèlerinage
- Consolation No. 2 in E major, S. 172, No. 2
- Le rossignol, S. 250 No. 1 (after Alyabyev)
- Liebesträume No. 3, S. 541 No. 3
- Sonetto 104 del Petrarca, S. 161 No. 5
- Tre Sonetti del Petrarca, S. 158
- Un sospiro, Concert Étude S. 144 No. 3
- Venezia e Napoli, S. 162, No. 3 "Tarantella"
Cite this page
“Liszt.” Shanghai Concerts, https://shanghaiconcerts.com/en/composers/liszt.